[box]It's hard to believe this year is our FIFTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and FIFTY of these love-letters, these stories of gratitude and memory, into the world.
[box]It's hard to believe that today's post marks the first of our FIFTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and FIFTY of these love-letters, these stories of gratitude
[line] On or about August 1996, my character changed: I traded a literary dictator for a cultural pariah. It was the summer before my last year of college, when I decided, god help me, to write an honor’s thesis in English. My
Much—much—has been written on Paul Celan, one of those writers around whom there exists a thick and (at times) stultifying mantle of commentary. I’m going to stab at a personal reflection here, though I may be inclined to borrow ideas
Students, like myself, are required to read well-known modern poetry in Taiwan. World War II and the period that followed introduced a new age of poetry in the country. Poetry had a[textwrap_image align="right"]http://www.theoperatingsystem.org/wp-content/uploads/2015/04/Screen-Shot-2015-04-19-at-11.12.59-AM.png[/textwrap_image] strict rule and was about patriotism, religion
I’m not much for debauch, not much for rude rebellion, I don’t speak French. I don’t take inspiration from Rimbaud’s words, his visions, his attitude, or his life story. He’s never been a haven or a guiding light the way
[line] I’d lived in the Faroe Islands for several years before meeting Steinbjørn B. Jacobsen. It was the summer of 2008, and we were introduced at an exhibition’s opening reception in Stephansson’s House. Steinbjørn gave my hand an extra firm shake
SUNDAY APRIL 21st :: HARMONIOUS TENSION / TRANSLATION :: the PRINT! VOL. 3 COllaborative COntent SALON!
“Whence did the wond’rous mystic art arise, Of painting SPEECH, and speaking to the eyes? That we by tracing magic lines are taught, How to embody, and to colour THOUGHT?" ― Marshall McLuhan, The Medium Is The M(e/a)ssage ----- GREETINGS COMRADES! If you’ve been receiving our emails
On September 10th, 2004, I was one of a capacity crowd in Cooper Union's hallowed Great Hall for "Ephemera vs. The Apocalypse," transfixed by a still-visibly-shaken Art Spiegelman - who had just completed his groundbreaking and controversial In the Shadow of
AWESOME CREATORS :: 100,000 POETS FOR CHANGE : AN OPEN LETTER from poet Taha Abdel Moniem (Cairo and Assiut, Egypt)
FROM EGYPTIAN POETS TO THE POETS OF THE WORLD || || Des poètes Égyptiens … aux poètes du monde من شعراء مصر إلى شعراء العالم نحن شعراء مصر، نرسل- من قلب القاهرة- صوتنا إلى كافة شعراء وشعوب العالم، دفاعًا عن حرية الإبداع، في