5th Annual NAPOMO 30/30/30 :: Day 3 :: Johnny Damm on The Glory of Raymond Roussel
[box]It's hard to believe this year is our FIFTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and FIFTY of these love-letters, these stories of gratitude and memory, into the world.
5th Annual NAPOMO 30/30/30 :: Day 2 :: Jacklyn Janeksela on Airea Dee Matthews & Rasheed Copeland :: Words to Shake a Cradle, A Nation
[box]It's hard to believe this year is our FIFTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and FIFTY of these love-letters, these stories of gratitude and memory, into the world.
[re:con]versations :: OF SOUND MIND :: process and practice with ANY SEAM OR NEEDLEWORK's Stanford Cheung
[line] [box] [quote] In 2016 The Operating System initiated the project of publishing print documents from musicians and composers, beginning with Everybody’s Automat and this year’s chapbook series, all of which fall under the OF SOUND MIND moniker, and all of which are written by
[re:con]versations :: OF SOUND MIND :: process and practice with CHORDS' Peter Longofono
[line] [box] [quote] In 2016 The Operating System initiated the project of publishing print documents from musicians and composers, beginning with Everybody’s Automat and this year’s chapbook series, all of which fall under the OF SOUND MIND moniker, and all of which are written by
[re:con]versations :: OF SOUND MIND :: process and practice with WHILE LISTENING's Alaina Ferris
[line] [box] [quote] In 2016 The Operating System initiated the project of publishing print documents from musicians and composers, beginning with Everybody’s Automat and this year’s chapbook series, all of which fall under the OF SOUND MIND moniker, and all of which are written by
[re:con]versations :: OF SOUND MIND :: Process and Practice with Everybody's Automat's Mark Gurarie
[line] [box] [quote] In 2016 The Operating System initiated the project of publishing print documents from musicians and composers, beginning with Everybody’s Automat and this year’s chapbook series, all of which fall under the OF SOUND MIND moniker, and all of which are written
4th Annual NAPOMO 30/30/30 :: Day 24 :: The Difference Between the Nautical & Geographical Mile :: Joe Pan on Denis Johnson
[line]I find it difficult to discuss Denis Johnson with any real authority, not because I don’t have anything to say regarding his consummate ability to describe the human traits that render fictional characters three-dimensional, but because Denis Johnson is the
4th Annual NAPOMO 30/30/30 :: DAY 21 :: Brian Mihok on James Tate
I read some poems from James Tate in 2006. My reaction after just about every one was to look up from the page and spin my head around like an idiot to anything and everyone around me. Who knows where
4th Annual NAPOMO 30/30/30 :: Day 17 :: Damon Ferrell Marbut on Andrew Faulkner
Need Machine [Coach House Books, 2013] is a small book of poems I loved immediately. The first two poems seemed as though one were observing a track sprinter stretch before the gun fires. But from The Lobby (beginning with “The Holiday Inn sign issues
4th Annual NAPOMO 30/30/30 :: Day 16 :: Catherine Bull on Rimbaud …and Rambo
I’m not much for debauch, not much for rude rebellion, I don’t speak French. I don’t take inspiration from Rimbaud’s words, his visions, his attitude, or his life story. He’s never been a haven or a guiding light the way
